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THE PAGE AS A DANCING SITE

The artistic aim of this collaborative artistic research project was the creation and edition of an Artist Book proposing the page work as a site of dance performance.

The book was made from the point of view of choreography; it investigates ways in which movement and sensorial practices may enable and be in direct relationship with page related practices – be they forms of reading, writing, document and theory making, or edition proper.

It emerged during a working period with dance and choreography students at the Danish National School of Performing Arts, back in 2013, as we engaged in practices involving texts from the field of performance studies, doing our best to undo the usual binary distributions that set dance performances along ephemerality, corporeality, liveness, immediacy, physicality – as opposed to forms of documentation, (supposedly) disembodied minds, texts, books, theory, mediation, recording.

Following this pathway, we directed our attention to the experiential, social, architectural, and kinaesthetic relations involved in forms of knowledge production. At the end of the process, the book The Page As a Dancing Site was presented as a choreographic performance of sorts at the school’s library, on the 14th of November 2014.

Affiliated artists
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