Six Works

Call Me is a Mix Tape of feelings. It is a symphony of ideas, thoughts, dreams on and along the tragedy of not being responded to, being disappointed, feeling rejected and the pleasure in the pain. It is dance that is gross and tender, disturbing and healing. 

Performers and Cocreators

Anne Sophie Stubbe Lindberg
Frida Billeskov Olesen
Hanna A. Lokøy
Léana Licius
Pauline Michel

Choreography and Creation

Sigrid Stigsdatter Mathiassen

Costume and Styling

Klara Lopez

Music

Erykah Badu, Vilde Tuv, Burzum, Lykke Li (more tba)

Eyes and support

Back Heiberg, Nanna Stigsdatter Mathiassen, Klara Lopez, Charlie Laban Trier, Camilla Lind, Randi Lindholm Hansen, Anders Toft Pedersen, MA’s + BA’s

At the beginning there is a need to take care of what is not here (yet or anymore).

To take care of what is gone or not yet arrived, we approach memories and expectations through an act of imagination. We give space, time and attention to those by dancing and the dance is the encounter with what we evoke.

The act of imagination becomes an act of remembering.

It is more than revisiting the past. It is committing to a multi-layered present that contains both past and future, infinite possible pasts and futures. A memory is then not a static picture from the past but a living organism in the middle of an ever changing time. A memory changes and has future potential. A memory can be shared and is a collective journey. A memory becomes a place to visit, a frame to be held by, a score to dance.

In this perspective, repetition is also approached as working with memory. The repetition of a movement or a situation can give occasion for both the dancers and the audience to inquire into the possibility of revisiting a fluctuant time. Is an invitation to consider what time we are present to and how we can be present to what is (not) here. 

Dance 

Aikaterini Dimitrelli
Anita Czako
Neža Kokalj
Paavali Kärkkäinen
Vilma Ehnberg

Choreography

Alice Martucci

Sound design

Jaleh Negari

Photographer

Alen Aligrudić

cut a slice of life is an exploration of how to spill over the edges of ones own body into the attention of being a part of something larger: a layer in a landscape, a set of tones in a composition, a limb of a shapeshifting creature.

concept and choreography

Joana Ellen Öhlschläger

created in collaboration with and performed by 

Anita Czakó
Hanna A. Lokøy
Isabel Carvalho
Neža Kokalj 

Music

Ivar Myrset Asheim, Fuffifufzich, Mazzy Star

Voice consultant

Ella Östlund

Sound consultant

Rafael Cañete Fernández

Support and thanks to

Anna Westh, Joëlle McGovern Serret, Martina Piazzi, Ottavia Catenacci

Working individually and collectively four women on stage work with the theatre space to explore real, imagined and new grounds. Consisting of two scores, a line dance and the vinyl dance floor Rug Pull is a collection of attempts to contemplate the ways in which dance can become ungrounded or how and when can dance produce the many grounds we experience: social, spiritual, political, material.

Choreography

Mark Bleakley

Developed in collaboration with performers

Lenka Vorechovská
Lisbeth Rain Riis
Isobel Carvalho
Stéphanie Evrard

Choreographic support from

Marco Payer

Sound

Emil Boda

In Epilogue, five dancers explore the way their dancing unfolds in time; the when and how rather than the what. Moving through pathways that follow no logic of linear progression, they stay with the intricate details already present in their movement. Dancing with casual precision, merging the sensual and the pragmatic, they invite the audience to pay closer attention to the way their experience transforms over time.

Epilogue draws from a series of duets made in spring 2022. Reversibility as a movement principle and choreographic structure has been the starting point for these duets. 

Choreography

Max Wallmeier

Dance

Frida Billeskov Olesen
Lenka Vořechovská
Lisbeth Ravn Riis
Stéphanie Evrard
Vilma Ehnberg

Music

Simon Plancke 

A catwalk falls and crawls into a dance as time swirls and the night tiptoes into an ambiguous smize  

Vortex Delight is a continuum, a dance in spirals and a practice of walking into something more than walking.  

In kinship with the music video ‘Come Into My World’ by Kylie Minoque a group of performers follow shared spiraling pathways on and off stage in a practice of walking, being, dancing, relating, repeating and transforming. The performance explores collective and individual trajectories, ways of co-existing and modes seeing and being seen in a landscape in constant rotation. 

Choreography and concept

Snorre Elvin 

Performers

Aikaterini Dimitrelli
Paavali Kärkkäinen
Léana Licous
Pauline Michel
Nanna Stigsdatter
Peter Scherrebeck
Ronald Berger 

Styling

Camilla Lind 

On the side

Nefeli Gioti 

Photo

Snorre Elvin