Bachelorprojekter - DDSKS København (2022)
Du inviteres til åbne arbejdsrum, hvor studerende i skuespil, scenekunstnerisk produktion og iscenesættelse på DDSKS København er midtvejs i udforskningen af deres bachelorprojekter.
Denne del af projektet handler om undersøgelsens møde med et publikum. Det vil være muligt at møde flere slags formater, bl.a. installationer, udstillinger, readings, monologer, undersøgelsesvisninger og musikalske eksperimenter. Der fordres en aktiv deltagen ved besøg i de åbne arbejdsrum.
Bachelor-projekterne
Et selvransakende musikalsk prosjekt
Et selvdrevent musikalsk prosjekt hvor både tekst og melodi er skrevet av Amund Harboe og iscenesatt som en intim opplevelse mellom utøver og publikum. Publikum blir invitert inn til et musikalsk og tekstlig univers hvor det bindende temaet er skam. Et kritisk blikk rettet mot seg selv og omverdenen. Sluttproduktet er en konsert med en narrativ rød tråd og et musikalsk univers litt utenom det vanlige.
Musikk og tekst
Amund Harboe
Skuespill
Amund Harboe
A live investigative ritual and an installation of ritual traces
"Hos os, der ikke var klostergivne, sov en nonne" ("There was a nun who slept with those of us who were students") is a collaborative investigation of the potential of rituals for generating material through the mediums of scenography and literature.
Benedikte Beate Hansen, scenography student and Dorte Limkilde, author and graphic designer of books, are in this project working with the ambiguity between the restrictive and the liberating within the rituals of the monastery. Through visits and interviews at various monasteries, Dorte and Benedikte have gathered material to use in a dialogue between their respective art forms.
We work with a deep dependence between text and space, where one misses the other.
We investigate restrictive frameworks as motivation for going with our impulses.
We believe that the literary imaging is closely connected to the concrete visuality of scenography.
How can the space make the text come alive and how can the text be an activation of the space?
The project is Benedikte’s bachelor project in scenography at The Danish National School of Performing Arts.
Her collaboration partner in the project, Dorte Limkilde, has recently published her work "Een lang nat" (2022) at the publishing house Virkelig and is also a part of the writing collective BMS.
SCENOGRAPHY & COSTUME
Benedikte Beate Hansen
TEXT
Dorte Limkilde
SPECIAL THANKS TO
Karmelitklostret, Rydebäck, Sweeden
Sankt Dominikus kloster, Rögle, Sweeden
Sankt Lioba kloster, Frederiksberg, Denmark
The spoken language will be Danish, but introductions will be given in English.
A staged investigation of collective methods
between an actor, set designer and director
The theme: We all know the world is burning. To handle our own feeling of constant crisis, we choose to turn to fairytales. Throughout history, fairytales and their characters have been used to process and symbolize challenges of humankind. Can we use fairytales to escape or tackle the reality we must face? Can we subvert fairytales to mirror the modern world? We need magicians, Kardashians, trolls, apocalypse, werewolves, pain and princesses.
The method: The showing is the result of attempts to develop methods for collectively creating material. It’s a search for a practice where performative and visual concept, character and action are created simultaneously and co-dependently
DIRECTOR
Carolin Oredsson
SCENOGRAPHY & COSTUME
Josefine Thornberg-Thorsøe
ACTOR
Solvej Sonne Horn
Danish is the spoken language
An investigation of own creativity and the purpose of newness
In which ways do I see myself expressing as a visual artist, at the same time as I stay connected to the world?
Recently I was in a collaborative project, where I experienced own participation as especially imaginative, open and vulnerable, in a way I hadn't felt before. I experienced connectedness - towards the artistic project itself, towards the people in the project, and towards the outside world.
As a visual artist, but also on a deeper human level, it is fundamental for me to sense a contact and connection towards the world. In this connectedness I find meaning and purpose. It is a state of "being within".
The expression "being within the world" comes from Gert Biesta, and some of his texts has been included in my research.
How can I be within - and in dialogue with - the world, as visual artist? When do I feel the most creative, playful and imaginative? How can I navigate within a constant desire and hunt for newness in the arts? When should i express myself? How? And why?
by
Ingunn Fjellang Sæther
English and norwegian will be the spoken languages
Research in acoustic deviation in a Copenhagen metro station
In The Birth of Physics, Michel Serres reappraised Lucretius’ theory that what preceded time and space was movement. The genesis of time and space occurred when one atom among a body of falling atoms deviated ever so minimally to gesture forward to the calculus of the infinitesimal. Through this deviation, a place was created, a contrast, which gave space for ‘something other’ to come into existence. Clinamina takes the logical absurdity of the ‘clinaman’, the deviating atom, as a metaphor for a deviating acoustic space. When a space deviates from its pre-supposed role, does it start a chain reaction, and do the inhabitants of that space also deviate from theirs? And if so, what ‘something other’ has come into existence?
A metro station is a rare, confined space within the chaotic schedule of a city where various temporalities meet. Certain patterns emerge, like that of commuters’ movement and behaviour. How would the patterns transform over time when the sonic environment ever so minimally deviates from its codified behaviour? A shift of awareness, a contrast, a brief sidestep from our conscious mind. Then, suddenly: the sound reforms to its original state. Are we still the same, or have we also shifted?
Initially intended as a live, site-specific, multi-channel sound installation in a Copenhagen metro station, this showing is Clinamina’s first iteration, presented in the acoustically rich Scenic Tower of The National Danish School of Performing Arts. It is a presentation of Clinamina’s research phase as part of Joëlle McGovern Serret’s BA project in the sound design specialisation, investigating multichannel systems and recording, acoustic manipulation, activating architecture and the semantics that derive from it.
THE ARTIST TEAM
Joëlle McGovern Serret
Consultants and teachers
Eddy Bøgh Brixen
Ditlev Brinth
Lugh O’Neill
Rune Søchting
photo
The photo was shot by Arild Vågen and is licensed under the Creative Commons Attribution-Share Alike 4.0 International license - remixed and shared with the aforementioned license by Joëlle McGovern Serret.
With special thanks to
The production team at The Danish National School of Performing Arts
Text description and Q&A in English
When & Where
Scenetårnet, DDSKS København
Per Knutzons Vej 5
1437 København K
1. December 2022
- 12:00
- 13:00
- 14:00
2. December 2022
- 18:00
- 19:00
- 20:00
Duration: appr. 40 minutes
No tickets needed, however there will be a maximum of 35 people per showing. Come early to assure a spot on the list in the front house.
En iscenesat reading, i flere dele
Igennem 3 iscenesættelser, med udgangspunkt i folks personlige historier om ensomhed og via. machine learning, vil jeg undersøge hvordan man kan skabe metoder for at lave dramatisk tekst og iscenesætte det.
1 ud af 10 danskere dør alene. Hvorfor sker det? Hvilke liv er det som er blevet levet? Hvad gør man ender alene, glemt og ensom på sit dødsleje? Hvilke menneskers historier forsvinder?
Kan man fortælle disse historie og dramatisere dem, på en ny måde? Give dem liv og udfolde dem i scenekunsten? Hvad vil det sige at forsvinde, leve på kanten, at blive glemt?
Målet med min bachelor er at indsamle, dramatisere og skabe disse fortællinger. Hvordan gør man det, og hvilke praktiske og etiske problemstillinger vil man møde igennem arbejdet?
INSTRUKTØR
Jonas Preben Jørgensen
DRAMATIKER
Frederik Timm
SKUESPILLERE
Anna Bjørgulf & Ida Marie Nielsen
SCENOGRAF
Nana Andrea Tiefenböck
LYSDESIGNER
Nana Andrea Tiefenböck
LYS, LYD OG VIDEO
Morten Hembo
FOTOGRAF
Fredrik Aleksander Grøvdal Sundbye
KONSULENTER
Daniel Wedel, Inger Eilersen
TAK TIL
Sargun Oshana, Asker Bryld Staunæs, Mathias Deichmann, Joëlle Serret, Philip Munksgaard Meedom
En Leonard Cohen rapmonolog
Velkommen tilbage til Boogie Street. Et sted hvor arbejdet, forfaldet og forfaldenheden kappes om at sidde i højsædet. Her hvor dynger af rustent affald er som pupper for forkrøblede vingeskudte sommerfugle. Hvor sønderrevne bannere med visdomsord vajer forgæves i vinden over en forladt slagmark.
Et grundigt dyk ned i Leonard Cohens tekstunivers. Et dogmatisk greb på ny musikdramatik, der udelukkende består af bidder af gamle sangtekster, oversat og omsat til blandt andet monolog, rap og haiku.
PERFORMER, BEARBEJDELSE AF SAMT ISCENESÆTTER
Jonathan Stahlschmidt
"At være sandfærdig mod sig selv i nærværet af frygt."
En arbejdsvisning hvor en person undersøger sin egen frygt og begrænsninger.
Undersøgelsen af mod udforsker fysiske og psykiske begrænsninger og hvordan de opstår og forsvinder.
Hvad står der tilbage når vores begrænsninger er væk.
af
Laurids Lange Riis-Hansen
Faglig sparringspartnere
Julie Carlsen
Morten Burian
TAK TIL
Alle der har sendt deres historier
Clara Sophia Phillipson
The spoken language will be in Danish
Kan en research der søger bedre viden lede til en mere objektiv fremstilling af en kompleks tematik?
Jeg har undersøgt en research og materiale-genererings metode for at som iscenesætter udfolde en tematik på en mangfoldig, intuitiv og søgende måde.
Inspireret af den amerikanske teoretiker inden for blandt andet kønsforskning og biologi, Donna Haraway, har jeg undersøgt den højrekonservative abortmodstands etiske, eksistentielle og politiske dimensioner. I min arbejdsvisning fortsætter jeg min research indenfor dette tema. Jeg vil prøve på at materialisere og fortolke min research, selv og i samarbejde med andre scenekunstnere, i et forsøg på at blive i det intuitive og nysgerrige rum fremfor at gå direkte til konceptualiserings-fasen. I er velkomne ind i mit arbejdsrum der jeg deler af min proces, og hvad jeg har fundet ud af undervejs.
Iscenesættelse
Nina Rudawski
Skuespil
Jonathan Lumholt Stahlschmidt
Cecilie Bogø Bach
The spoken language will be in Danish
Poetic archive for lighting design
Athenaeum is an investigation of how to create a poetic and physical method for documenting highlights of a light design process. it’s a response of a longing to move away from the computer and digital languages, and reconnect with physical touch and moonlight letters. to create an archive, to store and visit earlier discoveries; to have a catalog of starting points for collaborations, design choices and production planning. to make sure to take a step back doing a process, to reflect on the work itself and the ways of working.
athenaeum is an investigation of long-term motivation, critical poetic reflections and a space to fall in love with the core of light; atmosphere.
LYSDESIGNER / LIGHT DESIGNER
Thora Eriksen
Thank you
Sisters Hope
Gry Worre Hallberg
Rikke Lund Heinsen
Quim Bigas Bassart
Pernille Plantener Holst
Inger Eilersen
The spoken language will be danish and english
When & Where
Sang/Tale 2, DDSKS København
Per Knutzons Vej 5
1437 København K
22. november 2022 17:00-19:30
23. november 2022 15:00-19:30
24. november 2022 12:30-16:00
The exhibition will loop during the hours stated above.
No reservation needed - just show up!
Når publikum inviteres med i værket
Med
udgangspunkt i tre nyskrevne tekster, undersøger vi de samtaler der naturligt opstår eller kurateres i undersøgelsesrummet, før det deles.
Mod
tiden, og med mod fra alle involverede samarbejdspartnere og prøvepublikummer, forsøger vi at blive klogere på spændet mellem kreativeudtryk og tryghed for alle medvirkende, når publikum inviteres med i værket.
I
håb om at kunne redefinere egen og andres tilgang til involvering i scenekunsten, har vi forsøgt at møde egne og andres holdninger og antagelser, åben og nysgerrigt.
Mellem
mennesker opstår fortællinger.
Vi håber du vil være en del af vores fortælling.
___________________________________
De kort vi er givet – af Rebekka Boyding
Fragmentum – af Christina Tranholm
Gaia – af Katinka Hurvig Møller
af
Rose Marie Jul Lerstrup
Cathrine Engelberth Olsen
Andreas Buchtrup Andersen
Sofie Lerstrup
Dramatiker
Rebekka Boyding
Christina Tranholm
Katinka Hurvig Møller
Tak til
alle der har deltaget som prøvepublikum,
Celeste Borchorst Faurschou
